I like that the cinematographer gets the first credit title card after the screen goes to black. And even if Scream 4 didn't do the sort of business that everyone was hoping, the fact that so much press was made out of his return made me happy. Says a lot about the impact these movies had, I say. I do still love that Kevin Williamson is perhaps the only horror film writer of the last few decades to actually be a name. I've said multiple times how wonderful and vivid the colours are in Scream 2, especially compared to the lower budget aesthetic of the original, so here is one last reminder.Ĭan we get a round of applause for Mr Craven and Mr Williamson, please? I think they deserved it after helping to bring the life one of the greatest ever sequels and one damn good film in general.
Scream 2 soundtrack and scenes movie#
If they never made another Scream movie then this would have been a very fitting ending. Underwater ballet dancer putting on Ghostface mask!Ĭurious, too, that they chose a far more triumphant song choice to accompany the big end credits crane camera move, as opposed to the original which used a much darker track.
The video is so deliciously '90s though that I have to love it. Using images of Neve Campbell's Sidney as they sing lyrics about "time isn't fair to a woman her age" and "she's seen better days" and you'll see how much they misread the lyrics. Anyone care to explain? Watch the video below, which features clips from Scream 2 interspersed.
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Now, what I don't understand is what a song about an aging lush is doing as the big triumphant end scene. I know ranking Collective Soul alongside The Eels is considered sacrilege by many, but I just like it, okay? Reminds me of that great alt-rock period of the 1990s. Along with D'Angelo's "She's Always In My Hair" from the opening scene, and "Your Lucky Day in Hell" by The Eels, Collective Soul's "She Said" is definitely a keeper. Randomly, this song that plays over the beginning of the end credits is, much like in the original, one of my favourite songs from the whole soundtrack. At 140 minutes, it overstays its welcome. But there are moments of rare grace here, making "Stillwater" the kind of thoughtful adult-driven drama we don't get much of these days.In this project I attempt to review the entire Scream trilogy scene by scene in chronological order. But "Stillwater" is also a reserved film introspective contemplative. And McCarthy does mine some humorous moments here and there. That scenario, an Oklahoma man who eats fast food and doesn't have much culture suddenly having to learn to adapt to French life, could've been played for laughs. But Bill wants to do right by his daughter, so he becomes a kind of amateur detective, trying hard to clear his daughter's name. Unfortunately, not many other people do – including Allison's own lawyer, who tells Bill that it's more or less time for Allison to give up and just accept her prison sentence. She insists she's innocent, and Bill believes her. Allison is in jail, convicted of murdering her lover while attending school in France. A FAMILY IN THE MOMENT – Gael Garcia Bernal, Vicky Krieps, Thomasin McKenzie and Alex Wolff recount one very special, emotional night of filming that brought them closer than they ever imagined.ĭamon plays Bill, an Oklahoma good old boy who used to work in oil and now spends his days doing odd hands-on jobs. When he's not doing that, he's flying off to France to visit his daughter, Allison (Abigail Breslin).Hear the story of why Night took the production to the Dominican Republic and how Mother Nature both challenged and helped the production. NIGHTMARES IN PARADISE – When making a film like OLD, finding the right shooting location is everything.Night explains the significance of his camera movements and the cast discuss the unique experience of filming without coverage. ALL THE BEACH IS A STAGE – Shooting a film in a wide-open space is challenging because angles have to be created, much like theatre.SHYAMALAN FAMILY BUSINESS – We look at what Night's two daughters, Ishana and Saleka, contributed to the film and how collaborating with family made filming outside Philadelphia still feel like home.
Shyamalan, sadly, can't keep the pace up, and "Old" kind of crumbles in its final moments when the filmmaker feels the need to over-explain what we just watched. A more ambiguous ending would've worked better, but none of that is enough to stop "Old" from being a weird, twisted delight. That means old people kick the bucket fast, children turn into adults, and the clock is ticking.
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In "Old," a group of people on vacation ends up trapped on a supernatural beach that rapidly ages people.